Mere Haule Dost is a fun and quirky ride set against the backdrop of lives of five laid-back friends in the city of Hyderabad. A film for young adults, it is an exhilarating journey of friendship, girls, parties, bikes, madness and their thrill for the Himalayan bike rally. It all starts with the fascination of these eccentric friends with the Himalayan Bike Rally, in which they want to participate in. Given their messed-up lives, it doesn’t come easy for these young boys to cough up money for the trip. Catch the freewheeling passion of these five friends and discover their ‘trippy’ ride to the destination. ‘Haule’ is a popular Hyderabadi word that loosely translates to ‘silly’, ‘crazy’, ‘mad’ etc. depending on the context.

A sexually and racially charged film noir from Oscar®-nominated director Lee Daniels (Precious), The Paperboy takes audiences deep into the backwaters of steamy 1960s South Florida, as investigative reporter Ward Jansen (Matthew McConaughey) and his partner Yardley Acheman (David Oyelowo) chase a sensational, career-making story. With the help of Ward's younger brother Jack (Zac Efron) and sultry death-row groupie Charlotte Bless (Nicole Kidman), the pair tries to prove violent swamp-dweller Hillary Van Wetter (John Cusack) was framed for the murder of a corrupt local sheriff. Based on the provocative bestselling novel by Pete Dexter (MulhollandFalls, Rush), The Paperboy peels back a sleepy small town's decades-old façade of Southern gentility to reveal a quagmire of evil as dark as a Florida bayou.

Cassim Kaif, a dutiful Muslim son, works alongside his traditionalist father in the declining family-run textile store in Fordsburg, Johannesburg. However, Cassim is secretly honing his skills as a stand-up comic. This is definitely not the kind of material Cassim should be working with and when his father finds out, suddenly life isn't a funny business anymore

Dandeswar and Hkawni, both age 73, arrive in Mumbai to look for their beloved grandson - the only other living member of the family who has been missing since the 26/11 2008 terror attack.

Celluloid Man is a tribute to an extraordinary man, P. K. Nair, who built our film archive can by can in a country where film preservation is completely disregarded.

The fact that the Archive still has nine precious silent films of the 1700 silent films made in India, and that Dadasaheb Phalke, the father of Indian cinema, has a place in history today is because of Mr. Nair. He influenced generations of Indian filmmakers and showed us new worlds through the prism of cinema.

As Mr. Nair speaks, we see the history of Indian cinema unfold. What emerges is a portrait of a man so in love with cinema that even his family had to take a backseat to his obsession. Mr. Nair is not just the founder of the National Film Archive, but a living, breathing museum of cinema. Even in retirement, he chooses to stay across the road from the Archive watching over his legacy. The fact that India has a cinematic heritage at all is the singlehanded achievement of this man.

He is truly India's Celluloid Man.

The film revolves around Meera, a happy corporate wife and cookbook writer whose life turns upside down when her husband walks out on their marriage. Responsible for not just her children but her mother and grandmother and their old family home in Bangalore, Meera takes up a part-time job with a cyclone studies expert, who is dealing with his own traumatic past. The two narratives come together and, through a series of coincidences, the lives of Meera and her employer get intertwined in strange ways. Parallels are constantly drawn between life and the unpredictability of cyclones.

Two womanizing slackers, Omi and Jai (Rakesh Bedi and Ravi Baswani respectively) attempt to woo the new girl in the neighbourhood, and fail - miserably. Their third room-mate, shy, and a bookworm - succeeds, much to their chargin. The two scheme up comica

The story of Krishna, Manju, Chillum and the other children on the streets of Bombay. Sometimes they can get a temporary job sellng tea, but mostly they have to beg for money and keep out of the way of the police.

What are the songs of women friendship that we can remember from Indian cinema? When was the last time we watched women get to know each other, become friends, stay friends and have a rollicking time right through without a love angle or a dark villain distracting us? Well, mainstream film has yet to explore such a storyline. We are still into “male-bonding” films. But what about women? What kind of friendships do they build? What are their dreams and their aspirations? How do they support each other?

All I Want Is Everything is set in the cosmopolitan city of Hyderabad in South India where three girls, Nidhi, Vaijanti and Trisha, meet for a film appreciation course and become friends. Each girl has a story to tell. The underlying emotions of fears, desires, aspirations and well-kept secrets are a part of their life-stories. Will their individual and combined journeys get them everything they ever wanted?

BP is a fun filled drama that will help parents realize how important it is to communicate transparently with your child.

BP is about four teenage friends (Avya, Bhagya, Chiu and Dolly), who over hear that, a friend, a resident of their colony, Jyoti tai, has left their colony, as she has brought disgrace to her family.

Having received unsatisfactory explanations from their parents, for Jyoti tai's exit. It becomes imperative to find out what exactly was her disgraceful act. Kids decide to take up this challenge.

In this journey to discover, they end-up bonding little too much with their over mature school-mate 'Vishu', the guiding star for the foursome. He enlightens them by throwing his divine light upon blue films. He feels, one has to read, watch, and if need be, perform to understand the true meaning of life (read SEX).

Cheeku, a young girl of seventeen, lives with her family in a mystical Himalayan village in Kumaon. The peace and happiness in their lives is disturbed by the fact that her father has been missing for almost a year, and their house is now under serious threat. The local lawyer and an unscrupulous, powerful villager are leaving no stone unturned in their attempt to sell Cheeku's house. Cheeku's younger brother, Hansa is oblivious to all that's happening at home, and is busy playing pranks with his close pal. While Cheeku sets out on a brave search for her father, things go wrong for Hansa when he steals the local bully's lucky five rupee coin in the cricket field. But Cheeku is tackling more than one kind of a shark. Hansa is a stark film about the seemingly simple lives of two mountain children and the bizarre turns their life takes in the course of a mere week.

It started with a simple idea. Anurag Kashyap, Sudhir Mishra and Chakri Toleti will choose 12 directors from across India to make 10 minute short films. Each film will be part of a larger story. Not a collection of short stories but an integral part of a larger story. The main plot was written by Anurag Kashyap. Then the madness started. The 12 directors were chosen from 600 entries. They were given the plot and they came back with their section. Set in 12 different cities.

One wedding, three couples, a whole lot of love, lust and desire make for a heady mix, but add to that a dash of magic potion and an enthralling rendition of the Ramlila and you have a revelation on your hands.

Hidden in the mountains of the Himalayas, Malana was like a lost world. A reticent community fostering a primitive existence in harmony with nature and harbouring their own unique model of democracy of consensus where they do select and not elect! They have also been producing some of the best quality hashish. A real life story of transition; an ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a universal message of trust, peace and eternal unity.

Two friends, attempting to start-up their own photo studio, come across shady dealings, corruption and murder, and must fight to bring the guilty to light.

Amid the epic landscape of the Mahabharata, the stage is set for an intimate yet eternal tussle between custom and commerce, tradition and modernity.

Feature documentary about the great West Indies cricket team of the 1970's/80's.

Set on an island off the coast of New England in the summer of 1965, MOONRISE KINGDOM tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore - and the peaceful island community is turned upside down in more ways than anyone can handle.

Bel Ami takes us into sleazy 19th century Paris, with a chronicle of a young man's rise to power in Paris via his manipulation of the city's most influential and wealthy women.

When the money of an idealistic British traveler disappears in a nouveau-riche Delhi household, the staff are given twenty-four hours to replace it or face the consequences. Delhi In A Day is a darkly comedic portrayal of upper-class Delhi society, examining how the haves and the have-nots coexist in the context of the contemporary nouveau-riche Delhi home.

On a foggy winter morning, a family in a village in Punjab wakes up to the news of the demolition of a house on the outskirts of the village. Father, a silent sympathiser, joins the community in demand for justice. The same day, his son Melu, a rickshaw puller in the city, is participating in a strike by his union. Injured and alienated, Melu spends the day quietly resting and hesitantly drinks with friends in the night as they debate the meaning of their existence. Cycling through the city streets, Melu feels lost and wonders where to go and what to do. Back in the village, his mother feels humiliated at the treatment meted out by the landlords in whose fields she works. Gunshots are heard in the night and the village is tense. Its the night of the lunar eclipse. A man wanders around asking for the traditional alms while Father decides to visit the city with a friend, even as his daughter Dayalo walks through the village streets in the night.

Shuttlecock Boys revolves around the lives, successes and failures of four friends Gaurav, Manav, Pankaj and Loveleen who decide to embark upon an eventful journey that will change the course of their lives and careers forever. The one thing that unites these four friends is their common love for badminton. Every evening they meet for a couple of games in their neighborhood joking about their lives and pulling each other's legs. While playing badminton one such night, they decide to do something on their own. This very attempt becomes their lifeline putting them on a litmus test of determination, courage, luck and spirit of friendship.

Rafiq and his family are struggling to come to terms with the loss of his older brother Tauqir, a tourist photographer, who is one of the thousands of young men who have disappeared, since the onset of the militant insurgency in Kashmir. After an unsuccessful attempt to cross the border into Pakistan,to become a militant, Rafiq returns home to an aimless existence. Until one day when he accidentally finds his brother's old camera.

In a bustling office in Mumbai, Kartik Krishnan sits behind his desk coding HTML websites when he chances upon a blog on cinema featuring Independent filmmakers. This sparks his intentions to make his own short film, thus leading him to contact Srinivas Sunderrajan, an independent filmmaker who agrees to guide him through the process. As he begins piecing the story, cast and screenplay together, several inexplicable phenomena start emerging in his life including a sinister stalker dressed in official government clothing; and the sudden appearance of a strange future-telling antique toy. Troubled with these bizarre developments and the unresolved feelings that he harbours for Swara, his office colleague, Kartik embarks on an extraordinary journey that transcends love, life and logic itself.

A small town tucked away in the heart of India, Malegaon is fraught with communal tension and under economic depression. To escape the harsh reality of their world, its people seek refuge in the fantastical world of cinema. This passion for cinema has driven a group of cinema enthusiasts to create their own films - quirky, low budget, socially aware and notoriously funny spoofs of Bollywood films. Spurred on by their success they now aspire to take on Hollywood and Superman. We follow them on this journey as the film takes shape through schemes and approaches that are sublimely ingenious, simply bizarre and purely hysterical. Whether a movie fan or not, this documentary will leave you in absolute awe of these extremely spirited film makers.

When Chhaya's eyes catch sight of an unfinished sculpture, her mind catches an infection. Gradually sucking at the fabric of her life, it turns her harmless need for the sculpture into an uncontrollable craving. Like any infection, it affects whatever it touches - her home, her dreams, her childless condition and Arvind, the only family she's got. Chhaya has to have that sculpture, no matter what the price.

Love, Wrinkle-free is a slice of life romantic comedy about a dysfunctional family who live in the Calangute area of Goa. Set in the Roman Catholic world of Goa, the film takes a light-hearted look at the obsession of today's society on ‘looks' and ‘youth' – a universally recognizable theme that should find resonance across the world.

More than a 150 people are killed by leopard or tiger attacks in India every year due to mounting poaching and encroachment on the wilderness. Such animals become man-eaters. When a couple from a big city arrive in an Indian jungle to sort out a troubled marriage, they run into the wife's ex-lover. As husband and lover lock horns for the woman, they become blind to signs of a lurking presence. A starving leopard has been shot by poachers and can't hunt his normal prey. This perfect killer has become so accustomed to hunting man that he's begun to think like us. As darkness falls, a night of terror begins

Chaurahen is an evocative and poignant film consisting of three separate stories set in three different cities in contemporary India. The vignettes present snippets of everyday life. There is a troubled adulterous affair in Kolkata, a family dealing loss of a son in Kochi and a young man in Mumbai dealing with memories of his ancestral home. The crossroads at which their lives are at render heartfelt situations between characters that create empathy.

A boy driving from New York to Philadelphia with buddies, and a mysterious girl alone in her hotel room – complete strangers – engage in an all-night phone conversation on New Year's night.